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<\/a>Therefore, I went with what I found represented the music at moment of working with the program. This approach seemed more freeing than attempting to follow the sketches made within the storyboarding. I decided to find artist that did something similar, and I found the artist Wassily Kandinsky. He created the piece \u201cImpression III (Concert).\u201d This piece originated from a concert he attended while at Munich, Germany. In other words, the art emerged as a result to the music being played. While this is the opening sentence\/quote from the reading, I find that it speaks to the difficulty of attempting to visually represent a sound successfully.<\/p>\n\n\n\n
\u201cMusic has for a long time played a role within the visual arts. But the method of turning beautiful sounds into a painting has not been easy to find. Many have tried, but few have been successful.\u201d [1]<\/sup><\/a><\/sup><\/p>\n\n\n\n They discuss how painters usually come to paint on the instruments or physical components of the creation of music rather than the emotional connection. I found this rare as I had the assumption that most artist would come to have the intent to translate music into a visual. However, I can see how painting performers, or the instruments is another stylistic approach to the creation of art.<\/p>\n\n\n\n Beyond this artist, I was able to find an article that showcases and discusses famous painting that have been recreated through geometric shapes. When I first clicked on the link, I was hesitant. However, the pieces that were found were so fun. The recreations include that of the \u201cGirl With a Pearl Earring,\u201d \u201cThe Kiss,\u201d and \u201cMona Lisa.\u201d[2]<\/sup><\/a> While my piece is not a painting forms of a human being or a landscape, it utilizes basic shapes to attempt to speak to my visual connection to the song. Now, I had to select colors. The article \u201cColor: How It Changes the Mood in Art\u201d was a good introduction to the way colors can impact the perception of a piece.[3]<\/sup><\/a> I say this as it displays various art pieces and provides a descriptor on each piece regarding the impact the artist\u2019s color use comes to have on the viewer. I personally like Thomson No. 13 (Northern Lights), by Douglas Coupland. He uses muted vibrant colors which brought me to a sense of joy and relaxation something that I wanted my piece to do but not to the same extent. <\/p>\n\n\n\n Once I had some of the visual aspects of my video, I decided to review the rule of thirds by reading an article by Jessica Stewart. This article like the other sources applied their explanations to painting to provide a visual example to the reader, something I find useful. I quote that I kept reminded myself when placing shapes is:<\/p>\n\n\n\n \u201cAnyone who deals in producing visually appealing work will have had this golden guideline pushed on them in order to achieve a balanced composition.\u201d[4]<\/sup><\/a><\/p>\n\n\n\n I understand that I am not a professional artist and that I am still learning techniques and the execution of ideas. Therefore, this was a friendly reminder to check my work to ensure that I am attempting to apply the rule. Nevertheless, I am also trying to remind myself to have fun with it and try not confine myself to a set image because as the artist Jaq Chartier said: <\/p>\n\n\n\n \u201c<\/strong>I think that idea comes from a black and white way of looking at things\u2014that if you\u2019re focused on making something beautiful it’s not going to be creative, it’s going to be craft.\u201d[5]<\/sup><\/a><\/p>\n\n\n\n