{"id":70,"date":"2022-04-28T18:27:34","date_gmt":"2022-04-28T18:27:34","guid":{"rendered":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/?p=70"},"modified":"2022-04-28T18:27:35","modified_gmt":"2022-04-28T18:27:35","slug":"final-project","status":"publish","type":"post","link":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/uncategorized\/final-project\/","title":{"rendered":"Final Project"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">This final project called for the integration of skills learned in Illustrator, Photoshop, and After Effects. In addition, we had the liberty to edit a unique sound by clipping different audios from existing videos and reediting them through Audacity.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As with any planning process, this project took some time. I came up with two topics that I wanted to document: the Black Panthers and police brutality. I began by looking at art from different artists that depicted the topics separately. However, I soon realized that I could do both by focusing on the Black Panther Movement. I looked at the work of Emory Douglas, a revolutionary artist, who made images for the Black Panthers.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn1\"><sup>[1]<\/sup><\/a>&nbsp;He came to join the party when Bobby Seale, the co-founder of the Black Panther Party, discovered Douglas\u2019s work.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn2\"><sup>[2]<\/sup><\/a>&nbsp;In his art lecture and discussion with the MoMA, Douglas discloses his production process and inspiration which was exciting to listen to. He mentions that he had a quick turnover as the Panthers needed his pieces for their newspaper. This was reassuring as we also had a short period to produce our animation. In Douglas\u2019s work we see a constant style which he mentions was inspired by Mexican artists working on wood that he loved.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn3\"><sup>[3]<\/sup><\/a>&nbsp;However, he had to work with material that was affordable which made him make his art with paper and markers which he says also allowed him to mimic the wood effect with some of his pieces.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn4\"><sup>[4]<\/sup><\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Emory Douglas: Art and Revolution | Live Q&amp;A with Emory Douglas, Akili Tommasino, and Esther Adler\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/kBJ2biLtMTs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As I explored Douglas\u2019s work, I found that I truly loved his selection of colors. While they were vibrant or bold bringing attention to his pieces, he also used plenty of black to balance his pieces. While his work is not animated, they tell a story that is clear and concise. There isn\u2019t a need for his pieces to be animated, but I wonder what he would come to do if he decided to animate his art.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/Screen-Shot-2022-04-28-at-11.01.33-AM.png\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"1024\" src=\"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/Screen-Shot-2022-04-28-at-11.01.33-AM-669x1024.png\" alt=\"\" class=\"wp-image-71\" srcset=\"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/Screen-Shot-2022-04-28-at-11.01.33-AM-669x1024.png 669w, https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/Screen-Shot-2022-04-28-at-11.01.33-AM-196x300.png 196w, https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/Screen-Shot-2022-04-28-at-11.01.33-AM-768x1175.png 768w, https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/Screen-Shot-2022-04-28-at-11.01.33-AM-1004x1536.png 1004w, https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/Screen-Shot-2022-04-28-at-11.01.33-AM.png 1068w\" sizes=\"auto, (max-width: 669px) 100vw, 669px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">A second artist that I want to bring attention to is Sadie Barnette. She turned her father\u2019s FBI files into art showcasing the long trail of surveillance that was enacted on him and those he was in contact with. She tells Vogue,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI\u2019m showing something that already exists and asking the viewer to look at it in a different way. The glitter and the spray paint, that represents my generation: graffiti, resistance. But it\u2019s also about a father-daughter relationship. I\u2019m a daddy\u2019s girl, looking at the government looking at my daddy.\u201d<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn5\"><sup>[5]<\/sup><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She is transforming the manner we see these files through her perspective rather than one of the agency\u2019s point of view.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While there were countless more artist that I looked at, these two artists were the most prominent sources of inspiration. Once I had my topic, I knew that I had to find an audio to follow my ideas. Therefore, I decided to make my own. The sound that is present in my final comes from the combination of the trailer&nbsp;<em>Judas and the Black Messiah<\/em>&nbsp;directed by Warner Bros. and from&nbsp;<em>The Black Panthers: Vanguard of the Revolution, a Documentary on the 60s Civil Rights Group<\/em>&nbsp;by Nelson Stanley.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn6\"><sup>[6]<\/sup><\/a>&nbsp;While the complete audio of each of the videos is not used, listening to the entire audio provided clarity to the experiences of the Panthers in order to depict their experiences as best as I could. Stanley\u2019s video takes on a documentary approach where he shares the news and public perspective on the Panthers. He also makes sure to include the perspective and voices of the members of the party. The members speak upon them organizing to protect their community and provide resources not provided to them.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn7\"><sup>[7]<\/sup><\/a>&nbsp;The news sources, however, depict them as bandits. As for the trailer, it provided a quick recap of the perspective of law enforcement and the Panthers. While it is less based on providing all information, it captures the essence of the art I was trying to make.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;The Black Panthers: Vanguard of the Revolution,&quot; a documentary on the 60s civil rights group\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/h91Gq9Z9-1s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"JUDAS AND THE BLACK MESSIAH \u2013 Trailer 2\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/6ivHf4ODMi4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">When putting my animation together, I found that adding direct documents found within the FBI\u2019s data system on the Panthers was important as well as the wanted posters found within the Smithsonian\u2019s collection.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn8\"><sup>[8]<\/sup><\/a>&nbsp;I included them because they hold power. They share the direct actions by the FBI on this group.<a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftn9\"><sup>[9]<\/sup><\/a>&nbsp;The audience is given the opportunity to understand why law enforcement were referred to as pigs. Law enforcement targeted the Panthers. They were watched constantly, they were met with violence and corruption, and were left unprotected as they were criminalized.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With this said, this is what I put together:<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-content\/uploads\/2022\/04\/RuvalcabaJennifer_05woutSources.mp4\"><\/video><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref1\"><sup>[1]<\/sup><\/a>&nbsp;\u201cEmory Douglas: Art and Revolution, a Live Discussion | MoMA,\u201d The Museum of Modern Art, accessed April 28, 2022, https:\/\/www.moma.org\/calendar\/events\/7290.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref2\"><sup>[2]<\/sup><\/a>&nbsp;Angelica McKinley and Giovanni Russonello, \u201cFifty Years Later, Black Panthers\u2019 Art Still Resonates &#8211; The New York Times,\u201d accessed April 28, 2022, https:\/\/www.nytimes.com\/2016\/10\/16\/arts\/fifty-years-later-black-panthers-art-still-resonates.html.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref3\"><sup>[3]<\/sup><\/a>&nbsp;\u201cEmory Douglas.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref4\"><sup>[4]<\/sup><\/a>&nbsp;\u201cEmory Douglas.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref5\"><sup>[5]<\/sup><\/a>&nbsp;Rebecca Bengal, \u201c\u2018Do Not Destroy\u2019 Is Sadie Barnette Transforming Her Black Panther Father\u2019s FBI Files Into Art | Vogue,\u201d accessed April 28, 2022, https:\/\/www.vogue.com\/article\/sadie-barnette-artist-interview-rodney-barnette-black-panther-fbi-file.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref6\"><sup>[6]<\/sup><\/a>&nbsp;Warner Bros. Pictures,&nbsp;<em>Judas and the Black Messiah \u2013 Trailer 2<\/em>, 2021, https:\/\/www.youtube.com\/watch?v=6ivHf4ODMi4.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref7\"><sup>[7]<\/sup><\/a>&nbsp;Stanley Nelson,&nbsp;<em>\u201cThe Black Panthers: Vanguard of the Revolution,\u201d a Documentary on the 60s Civil Rights Group<\/em>, 2015, https:\/\/www.youtube.com\/watch?v=h91Gq9Z9-1s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref8\"><sup>[8]<\/sup><\/a>&nbsp;Smithsonian, \u201cFBI Wanted Poster for Leroy Eldridge Cleaver,\u201d National Museum of African American History and Culture, accessed April 28, 2022, https:\/\/nmaahc.si.edu\/object\/nmaahc_2011.117.12?destination=\/explore\/collection\/search%3Fedan_q%3DFBI%2520black%2520panther%2520wanted%2520posters&amp;page%3D0.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"applewebdata:\/\/22496848-3B2E-4432-A0CF-02A650C84AD0#_ftnref9\"><sup>[9]<\/sup><\/a>\u00a0\u00a0Federal Bureau of Investigation, \u201cHuey Percy Newton Part 01 of 09,\u201d File, FBI, accessed April 28, 2022,<a> https:\/\/vault.fbi.gov\/huey-percy-newton\/Huey%20Percy%20Newton%20Part%2001%20of%2009.<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Bibliography<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Angelica McKinley and Giovanni Russonello. \u201cFifty Years Later, Black Panthers\u2019 Art Still Resonates &#8211; The New York Times.\u201d Accessed April 28, 2022.\u00a0<a href=\"https:\/\/www.nytimes.com\/2016\/10\/16\/arts\/fifty-years-later-black-panthers-art-still-resonates.html\">https:\/\/www.nytimes.com\/2016\/10\/16\/arts\/fifty-years-later-black-panthers-art-still-resonates.html<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This article by the New York Times introduces the artist Emory Douglas as well as shares the meaning behind to his art based on the issues that the Party was confronting. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Museum of Modern Art. \u201cEmory Douglas: Art and Revolution, a Live Discussion | MoMA.\u201d Accessed April 28, 2022.\u00a0<a href=\"https:\/\/www.moma.org\/calendar\/events\/7290\">https:\/\/www.moma.org\/calendar\/events\/7290<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This article introduces Emory Douglas art within the Black Panther Movement. It shares the video attached to the post that discusses his various pieces, historical content, and his artistic choices. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Federal Bureau Of Investigation. \u201cHuey Percy Newton Part 01 of 09.\u201d File. FBI. Accessed April 28, 2022.\u00a0<a href=\"https:\/\/vault.fbi.gov\/huey-percy-newton\/Huey%20Percy%20Newton%20Part%2001%20of%2009\">https:\/\/vault.fbi.gov\/huey-percy-newton\/Huey%20Percy%20Newton%20Part%2001%20of%2009<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This is the FBI&#8217;s database of their COINTELPRO operation on the Black Panther Party and their members. This file is specifically on Huey P. Newton. It shows the agency&#8217;s knowledge on his location, meetings, and future travels.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMost Wanted \u2014 FBI.\u201d Folder. Accessed April 28, 2022.\u00a0<a href=\"https:\/\/www.fbi.gov\/investigate\/organized-crime\/most-wanted\">https:\/\/www.fbi.gov\/investigate\/organized-crime\/most-wanted<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This is the database of the FBI&#8217;s most wanted individuals. It taught me how to properly read the posters by seeing patterns on different people. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rebecca Bengal. \u201c\u2018Do Not Destroy\u2019 Is Sadie Barnette Transforming Her Black Panther Father\u2019s FBI Files Into Art | Vogue.\u201d Accessed April 28, 2022.\u00a0<a href=\"https:\/\/www.vogue.com\/article\/sadie-barnette-artist-interview-rodney-barnette-black-panther-fbi-file\">https:\/\/www.vogue.com\/article\/sadie-barnette-artist-interview-rodney-barnette-black-panther-fbi-file<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This source introduces the art of Barnette. She shares her father&#8217;s FBI files by applying spray paint and gems. She comes to push her audience to see the files from her perspective instead of the agency&#8217;s. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Smithsonian. \u201cFBI Wanted Poster for Angela Davis.\u201d National Museum of African American History and Culture. Accessed April 28, 2022.\u00a0<a href=\"https:\/\/nmaahc.si.edu\/object\/nmaahc_2012.60.8\">https:\/\/nmaahc.si.edu\/object\/nmaahc_2012.60.8<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This was used as an image source showcasing the FBI&#8217;s involvement to surveil and capture Angela Davis. It brings in historical context to the manner that law enforcement agencies were attempting to control the party by targeting members.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Smithsonian. \u201cFBI Wanted Poster for Leroy Eldridge Cleaver.\u201d National Museum of African American History and Culture. Accessed April 28, 2022.\u00a0<a href=\"https:\/\/nmaahc.si.edu\/object\/nmaahc_2011.117.12?destination=\/explore\/collection\/search%3Fedan_q%3DFBI%2520black%2520panther%2520wanted%2520posters&amp;page%3D0\">https:\/\/nmaahc.si.edu\/object\/nmaahc_2011.117.12?destination=\/explore\/collection\/search%3Fedan_q%3DFBI%2520black%2520panther%2520wanted%2520posters&amp;page%3D0<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This was used as an image source showcasing the FBI&#8217;s involvement to surveil and capture Leroy Eldridge Cleaver. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stanley Nelson.\u00a0<em>\u201cThe Black Panthers: Vanguard of the Revolution,\u201d a Documentary on the 60s Civil Rights Group<\/em>, 2015.\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=h91Gq9Z9-1s\">https:\/\/www.youtube.com\/watch?v=h91Gq9Z9-1s<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This video as that of the Warner Bros. was used as part of my video audio. In addition, this video gave me a better understanding of the history of the Black Panther Party. It included the voices of law enforcement agencies as that of the Panthers.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Verso. \u201cStokely Carmichael: The Black Power Movement and \u2018the Savagery of White America.\u2019\u201d Versobooks.com. Accessed April 28, 2022.\u00a0<a href=\"https:\/\/www.versobooks.com\/blogs\/2122-stokely-carmichael-the-black-power-movement-and-the-savagery-of-white-america\">https:\/\/www.versobooks.com\/blogs\/2122-stokely-carmichael-the-black-power-movement-and-the-savagery-of-white-america<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This article provides a similar historical understanding of the Black Panthers as that of the video by Nelson Stanley. It shares the programs and purpose that rose from the party as well as the issues they had to confront. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Warner Bros. Pictures.\u00a0<em>JUDAS AND THE BLACK MESSIAH \u2013 Trailer 2<\/em>, 2021.\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=6ivHf4ODMi4\">https:\/\/www.youtube.com\/watch?v=6ivHf4ODMi4<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I used this specific trailer from the film as it provided a quick transition of perspectives that could be shortened further to fit the time frame of my project. In addition, it gave a proper sense of where my stylized frames should go. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>This final project called for the integration of skills learned in Illustrator, Photoshop, and After Effects. In addition, we had the liberty to edit a unique sound by clipping different audios from existing videos and reediting them through Audacity.&nbsp; As with any planning process, this project took some time. I came up with two topics [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-70","post","type-post","status-publish","format-standard","category-uncategorized","entry","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/posts\/70","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/comments?post=70"}],"version-history":[{"count":4,"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/posts\/70\/revisions"}],"predecessor-version":[{"id":77,"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/posts\/70\/revisions\/77"}],"wp:attachment":[{"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/media?parent=70"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/categories?post=70"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.art111.jenniferruvalcaba.dcreate.domains\/blog\/wp-json\/wp\/v2\/tags?post=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}